Aperture and Paris Photo are pleased to announce the shortlist for the 2016 PhotoBook Awards. This year, the awards have been organized in collaboration with C/O Berlin, a Berlin-based charitable institution and exhibition venue committed to photography and visual media.
The shortlist selection was made by Ann-Christin Bertrand, Curator, C/O Berlin; David Campany, independent curator and writer; Lesley A. Martin, Creative Director, Aperture Foundation and Publisher, The PhotoBook Review; Becky Senf, Chief Curator and Norton Family Curator of Photography, Center for Creative Photography at Woodstock; and Christoph Wiesner, Artistic Director, Paris Photo.
Established in 2013, the Paris Photo-Aperture Foundation PhotoBook Awards celebrate the photobook’s contribution to the evolving narrative of photography, with three major categories: First PhotoBook, Photography Catalogue of the Year, and PhotoBook of the Year.

Murray Ballard, The Prospect of Immortality (GOST Books), 2016

Dan Boardman and Aspen Mays, Where We’ve Been, Where We’re Going, Why? (Houseboat Press and Conveyer Editions), 2016

Andre Bradley, Dark Archives: 1–41 (Image Text Ithaca Press), 2015

Michael Christopher Brown, Libyan Sugar (Twin Palms Publishers), 2016

Cheng Xinhao, The Naming of a River (Jiazazhi Press), 2016

CJ Clarke, Magic Party Place (Kehrer Verlag), 2016

Amy Elkins, Black Is the Day, Black Is the Night (Self-published), 2016

Adam Golfer, A House Without a Roof (Booklyn), 2016

Curran Hatleberg, Lost Coast (TBW Books), 2016

Katrin Koenning and Sarker Protick, Astres Noirs (Chose Commune), 2016

Quentin Lacombe, Event Horizon (Self-published), 2016

Jack Latham, Sugar Paper Theories (Here Press), 2016

Sara-Lena Maierhofer, Dear Clark,: Portrait of a Con Man, 2016

Sohei Nishino, Tokyo (amana), 2015

Christine Osinski, Summer Days Staten Island (Damiani Editore), 2016

John Radcliffe Studio, Foreigner: Migration into Europe 2015–2016 (Self-published), 2016

Dominique Somers, 00A (Art Paper Editions), 2015

Kate Stone and Hannah Schneider, How We End. (Self-Published), 2016

Paul Turounetm, Estamos Buscando A (We’re Looking For) (Self-published), 2016

David Campany, a Handful of Dust: from the Cosmic to the Domestic (LE BAL and MACK), 2015

Karolina Puchała-Rojek and Karolina Ziębińska-Lewandowska, Wojciech Zamecznik: Photo-graphics (Fundacja Archeologia Fotografii), 2015

Marc Roig Blesa and Rogier Delfos, Werker 2—A Spoken History of the Young Worker (Bunkier Sztuki Gallery of Contemporary Art and Fotomuseum Winterthur), 2016

Frances Terpak and Michelle Brunnick, Robert Mapplethorpe: The Archive (Getty Research Institute), 2016

Matthew S. Witkovsky, Carol S. Eliel, and Karole P. B. Vail, Moholy-Nagy: Future Present (Art Institute of Chicago), 2016

Barbara Bosworth and Margot Anne Kelley, The Meadow (Radius Books), 2015

Siân Davey, Looking For Alice (Trolley Books), 2015

Eamonn Doyle, Niall Sweeney, and David Donohoe, End. (D1), 2016

Mark Holborn and William Eggleston III, The Democratic Forest (Steidl), 2015

Annett Gröschner and Arwed Messmer, Taking Stock of Power: An Other View of the Berlin Wall (Hatje Cantz), 2016

Gregory Halpern, ZZYZX (MACK), 2016

Ron Kurtz and Hank O’Neal, Berenice Abbott: Paris Portraits, 1925–1930 (Steidl and Commerce Graphics), 2016

Peter Puklus, The Epic Love Story of a Warrior (SPBH Editions), 2016

Batia Suter, Parallel Encyclopedia #2 (Roma Publications), 2016

Daniel Traub, Wu Yong Fu, and Zeng Xian Fang, Little North Road: Africa in China (Kehrer Verlag), 2015
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